gadgetPhreak Gadget News Blog. Futuristic Gadgets and Portable Electronics

November 27, 2006

Nintendo DS doubles as wireless MIDI keyboard / controller

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Joining the nearly endless amount of Nintendo DS hacks already in the wild is TobW‘s DS Sampling Keyboard, which “uses the DS’s microphone and touchscreen” to interface with a software-based sampling keyboard. A close contender to join our Music Thing series, this wonderous hack takes advantage of the wee machine’s excellent X / Y-axis controls as well as its built-in WiFi to beam the MIDI commands wirelessly. The program has been tested with Wifi, GBAMP, and M3, so “it should work on pretty much anything,” and provides a much less expensive alternative to those dedicated offerings. While musical gizmos are always more effective when seen heard rather than just heard about, be sure to click on for a front row seat to the YouTube demonstration.

[Via MusicThing]

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July 28, 2006

Music Thing: Boutique effects pedals

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Each week Tom Whitwell of Music Thing highlights the best of the new music gear that’s coming out, as well as noteworthy vintage equipment:

About a year ago, I wrote about boutique synthesizers – fantastically obscure boxes hand-made by freaks (normally Scandinavian). Compared with synths, effects pedals are relatively simple — sometimes just a handful of components, a switch and a couple of knobs in a steel box — so there are loads of people experimenting and making great-looking but expensive pedals for guitarists. Most of the pedals mentioned here are in the $350-$500 range. Sure, that would buy you a dozen Chinese-made Behringer pedals, but would that make you happy?

Zvex Ringtone
Disappointingly, Zachary Vex’s new Ringtone pedal won’t make your vintage strat sound like the Crazy Frog. Instead, it’s a 8-step sequencer driving a ring modulator — the early sound effect used to make the voice of the Daleks, and built into the Commodore 64′s SID sound effects chip. It’s pretty hard to understand what the Ringtone does, or why it’s cool, without watching Zachary’s wonderful demo video. Like all boutique pedals, the Ringtone is crazy expensive at $349, but that gets you a hand-made, hand-painted pedal.

After the break: Kitsch Brazilian pedals, butch American pedals, clever English pedals, and a fuzzbox with a joystick…

MG Pedals
Marcelo Giangrande makes MG pedals (and a cool little range of amps) in Sao Paolo, Brazil. His bright pink “That’s Echo Folks” pedal is an analog delay controlled by a light-sensitive sensor on a tail.

BugBrand
In Bristol, England, Tom Bugs makes a big range of lo-fi sound mangling devices. His Mini-Modular is a little slope-fronted box full of circuits to modify other sounds, or create them from scratch. It’s also a synth, but don’t expect it to play in tune. His Bug Crusher is a stompbox which uses an analog process to roughly reproduce the bit-reduced sound of old samplers and circuit-bent toys.

Trogotronic
While MG gear is kitsch and colourful, Trogotronic’s stuff is butch: Huge, custom-modified all-tube signal generators and effects, and the Iron Cross, a bombproof arcade joystick turned into a four-way signal router.

Guyatone Optical
Guyatone pedals are a little less underground than the others featured here – they’re made in Japan in a factory, rather than someone’s garage – but they make up for it through over-engineered complexity and an exuberant number of lights, switches and controls. Their Ultron filter pedal even has old-school DIP switches inside for further tweaking.

Schumann Electronics
In the back room of a music store in Brooklyn, John Schumann builds pedals for bands like Portishead and Radiohead. His pedals are fantastically esoteric, like the PLL: an “analog harmonizer” which plays along with the notes you’re playing.

Effector 13
While most pedals are aimed a guitarists, the Effector 13 Synth Mangler is designed for keyboard players. It’s two channels of ultra-fuzz, controlled by a joystick and a “magic eye” light sensor.

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July 14, 2006

Music Thing: Roland Micro-BR and Trinity DAW

Filed under: MusicThing,TomWhitwell,audio,linux,music thing,recording,tom whitwell — Tom Whitwell @ 11:04 pm

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Each week Tom Whitwell of Music Thing highlights the best of the new music gear that's coming out, as well as noteworthy vintage equipment:
Two new shiny boxes were announced this week. They both run on batteries and can record and edit audio, but they couldn't be more different. In the trashy and corporate corner is the Boss Micro-BR. It's a four-track, with guitar and mic inputs. It's "slightly larger than an iPod," runs on 2 AA batteries, has built in drum sound and effects, and is shinier than a cheap Korean DAP from 2005. This unit is the spiritual offspring of the cassette four-track, which anyone who was in a band in the '80s or early '90s will remember with a mixture of fondness and dread. If for some reason you're recording a demo by yourself, and you can't get to a laptop, it's probably perfect. No price yet, but it won't be much.

Meanwhile, in the open source startup corner is the Trinity DAW, a Linux-powered stand alone audio recorder. It's has the professional ins and outs that the Micro-BR so obviously lacks, and is built around a 500mhz processor, 128mb memory, 20gb hard drive and a real screen. It ships with Audacity software which, like most Linux software, is great/cruddy depending who you ask. It can record in stereo with professional microphones that need phantom power, and there's a nifty circular touchpad next to the screen to navigate around the GUI. Unfortunately, there's a whiff of vapour around the project, which currently only exists in rendered form, with an eye-watering price tag of $999. For which price you could probably buy 16 tracks of Micro-BR, or a decent laptop and a pile of software.
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July 7, 2006

Music Thing: Novation’s ultra-cheap synth/soundcard/interface

Filed under: MusicThing,Synthesizer,midi,music,music thing,novation,recording,usb,xio — Tom Whitwell @ 10:52 pm

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Each week Tom Whitwell of Music Thing highlights the best of the new music gear that's coming out, as well as noteworthy vintage equipment:

Wait! Come back! Stop scrolling! Why should you read about a boring-looking grey synthesizer? I'll tell you why. This week, music geeks have been talking about two things. The first is the Bleep Labs Thingamagoop, the tiny, cute, handmade-in-America noise box with a strobing LED tentacle and surprisingly reasonable $100 price tag. The Thingamagoop represents one end of what's interesting in music gear at the moment -- fun, handmade, not necessarily very practical analog gear put together in garages by Make magazine readers.

Then there's this grey plastic synth. It's Novation's new Xio, which represents the other big thing happening in music gear: astonishing value for money. This thing is a USB audio interface, with phantom power and a pre-amp, so you can record using real professional microphones. It's a MIDI controller for racks and soft-synths, with a cool touchpad and joystick and lots of knobs. It's a nice-feeling (if short) semi-weighted keyboard (there's also a 49-key version). And, it's a real stand-alone analog-modelling synth, which you can tweak in your deckchair while it runs off 6 AA batteries. The Xio costs £229 (Maybe $350-$399 retail), significantly cheaper than it's nearest rival, the 3 year-old MicroKorg, which has mini keys and no controller or USB audio features. It's amazing.

Chinese manufacturing and cheap DSP chips have revolutionised the music gear business. Sure, this stuff doesn't have much soul, and it probably won't be collectable in 20 years, but it's making the average dorm-room studio a far more exciting place to be. Anyway, you can always invest the change in a small family of Thingamagoops.
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June 9, 2006

Music Thing: The Tritare

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Each week Tom Whitwell of Music Thing highlights the best of the new music gear that's coming out, as well as noteworthy vintage equipment:

One of the first columns I ever wrote for Engadget was about Triple Neck Guitars, which are normally played by heavy metal guitarists with curly perms and an enthusiasm for lengthy solos. Now, straight outta the Mathematics department of a Canadian university, comes the Tritare: A guitar with three necks, but only six strings.

Last week, at the Acoustical Society of America's 151st meeting in Providence, RI, Sophie Léger of the Department of Mathematics and Statistics, Université de Moncton, Canada, presented a paper on "A New Family of Stringed Musical Instruments".

She's one of the inventors of the Tritare. It has triple-ended strings - one string goes up the fretted neck, and the other two resonate on the second, and third, fretless necks (which the guitar is standing on in this picture). You play it roughly like a normal guitar, with the two necks down to your right.

Obviously, the interesting bit is the sound, and this page contains several samples, which are amazing. Presumably they're uneffected, but sound alternately like bells or reverb-covered 'Paris Texas' slide guitar.

The Canadial professors are trying to market the Tritare as a product -- there's a homepage at Tritare.com, but absent are prices or availability. They're also experimenting with networks of strings, which at the moment are more at the clanking and atonal end of things.

Of course, if three necks doesn't sound hardcore enough, you could always build a double body guitar.
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May 26, 2006

Music Thing: MIDI-powered Roomba Vacuum Cleaner

Filed under: MusicThing,TomWhitwell,features,music thing,roomba,tom whitwell — Ryan Block @ 2:25 pm

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Each week Tom Whitwell of Music Thing highlights the best of the new music gear that’s coming out, as well as noteworthy vintage equipment:

Can there be any greater expression of man’s ingenuity than hacking a robotic vacuum cleaner so that it can pay the Mario Brothers theme? Roombas contain a little beeper and several noisy motors. So Tod Kurt decided he could put the whole thing under MIDI control, so you can play a Roomba from a MIDI keyboard, or sequence it from a computer.

Tod wrote a Java application called RoombaMidi, which runs on a Mac driving the Roomba. Connect a keyboard, and when you play an E three octaves below middle C, the robot will spin left. Press the key harder, and it will spin faster. Play a low C sharp and the LED will flash. Hit the key harder, and it will change colour. The low C triggers the vacuum motor, which creates a kind of kick drum thud.

Despite featuring both the Pacman theme and Mario Brothers, Tod’s demo video isn’t too musical, but the sofware can control up to 16 Roombas over different MIDI channels, so a Roomba orchestra is surely coming soon.

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April 28, 2006

Music Thing: The USB Lightsnake and other ways to connect your axe

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Each week Tom Whitwell of Music Thing highlights the best of the new
music gear that’s coming out, as well as noteworthy vintage equipment:

vspace="4" hspace="4" border="1" align="absbottom" src="http://www.engadget.com/media/2006/04/lightsnake2.jpg" alt=""
/>

Connecting a guitar to a USB socket is one of those technical questions that nobody has ever asked, but
lots of people have tried to answer. The latest, and possibly neatest, solution is the href="%E2%80%9Dhttp://musicthing.blogspot.com/2006/04/lighsnake-usb-guitar-cable.html%E2%80%9D">SoundTech
Lightsnake, a simple 10-foot guitar cable with a quarter-inch jack on one end and a USB plug on the other. Plug it
into a USB socket and it will glow green (mmm… retro!), and it promises to pump your guitar neatly into
GarageBand or whatever.

There’s a big cultural barrier between the two ends of the cable.
Quarter-inch jacks are indestructible, ancient and roadworthy. They were introduced in 1878, for use in telephone
exchanges, and they’re still in almost any piece of musical equipment you’d ever want to use, from a Les
Paul to a Moog Modular. They never break, and if they do happen to fray, can be mended by anyone who knows which end of
a soldering iron to hold. With no tools, a combination of sharp teeth and nimble fingers can make a workable repair. />
Meanwhile the new-fangled USB plug, introduced in 1995, has no place in rock’n’roll. It’s
invariably plastic, and was literally designed by a committee. Neutrik does produce a nickel-housed USB socket that
could almost fit on a guitar amp, but would be unlikely to survive attack from a flying bottle of beer.

In the last year, USB/Guitar hybrids have been everywhere. The href="%E2%80%9Dhttp://musicthing.blogspot.com/2005/01/add-usb-port-to-any-guitar-and-some.html%E2%80%9D">GuitarPlug
does the same job as the Lightsnake, without the attached cable or the glowing LED. Towards the end of 2005 there was a
rash of USB guitars, released by many, bought by few, culminating in the href="%E2%80%9Dhttp://musicthing.blogspot.com/2006/03/messe-whats-on-behringer-photocopier.html%E2%80%9D">Behringer
iAxe, a $149 guitar with a built-in USB socket and a bundle of free software. I’m sure it sounds great.

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April 14, 2006

Music Thing: Monome Controller

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Each week Tom Whitwell of Music Thing highlights the best of the new music gear that's coming out, as well as noteworthy vintage equipment:

"The wonderful thing about this device is that is doesn't do anything really," say the developers of the Monome, a minimalist-but-clever button-covered box. "It wasn't intended for any specific application. We'll make several applications, and others will make more. We hope to share as many of these as possible. Drum machines, loopers, 1-bit video transformers, physics models, virtual sliders, math games, etc."

Like all the best new interfaces, it’s pretty much impossible to describe, but once you watch the demo video, it seems to be surprisingly flexible and fast to use. I can’t help thinking that something this (or the similar, but different, Tenori On box developed for Yamaha) has huge commercial potential as a cheap and funky sound toy. At the moment, though, it’s a tool for high-end supergeeks, like the wonderful Jazz Mutant Lemur (which is now in production and sells for $2,495).


A year ago, the Monome was the Bitbox, a crude wooden box covered in illuminated momentary push-button switches. It had some early software developed in MAX/MSP which triggered a different sample on each row. Now, there are a range of interesting applications using OSC and MIDI, and the box is going into small-time production.

In February, the Philly-based development team bought 13,000 diodes from Digikey, and they’re currently building the first batch of 200 units, 8 x 8 grids which will sell for $500 with a USB interface and a bundle of open-source software.
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Music Thing: Monome Controller

Filed under: ,

Each week Tom Whitwell of Music Thing highlights the best of the new
music gear that’s coming out, as well as noteworthy vintage equipment:

vspace="4" hspace="4" border="1" src="http://www.engadget.com/media/2006/04/monome.jpg" alt="" />

"The
wonderful thing about this device is that is doesn’t do anything really," say the developers of the href="http://monome.org/">Monome, a minimalist-but-clever button-covered box. "It wasn’t intended for any
specific application. We’ll make several applications, and others will make more. We hope to share as many of these as
possible. Drum machines, loopers, 1-bit video transformers, physics models, virtual sliders, math games,
etc."

Like all the best new interfaces, it’s pretty much impossible to describe, but
once you watch the demo video,
it seems to be surprisingly flexible and fast to use. I can’t help thinking that something this (or the similar,
but different, Tenori On box
developed for Yamaha) has huge
commercial potential as a cheap and funky sound toy. At the moment, though, it’s a tool for high-end supergeeks,
like the wonderful Jazz Mutant Lemur
(which is now in production and sells for $2,495).

src="http://www.engadget.com/media/2006/04/monome2.jpg" />

A year ago, the Monome was the href="http://musicthing.blogspot.com/2005/04/bitbox-more-flashing-leds-than-ever.html">Bitbox, a crude wooden box
covered in illuminated momentary push-button switches. It had some early software developed in MAX/MSP which triggered
a different sample on each row. Now, there are a range of interesting applications using OSC and MIDI, and the box is
going into small-time production.

In February, the Philly-based development team bought 13,000 diodes from
Digikey, and they’re currently building the first batch of 200 units, 8 x 8 grids which will sell for $500 with a
USB interface and a bundle of open-source software.

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April 7, 2006

Music Thing: Messe Oddities

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Each week Tom Whitwell of Music Thing highlights the best of the new music gear that's coming out, as well as noteworthy vintage equipment:

Human ingenuity has no limits. Walking through the vast halls of the Frankfurt Messe exhibition centre last week, I saw pretty much every musical instrument imaginable, and several things that I’d never imagined seeing…

Most kick drums don't rotate, so I'm not sure how the spinning starts on these things, but I guess the lead singer could casually give it a flick round every so often. No, there's no way that attaching a random bit of shiny, pointy aluminium to the front of your drum kit will make it sound better.

The acoustic guitar has been an expressive, versatile instrument for centuries, but it's always lacked even a basic selection of cheesy drum kits and auto-rhythms. Now engineers in the Czech Republic have taken an acoustic guitar, covered the wooden top with a plastic touch membrane, and put little switches all over the neck. The version of the Stones 'Honky Tonk Women' played on this monstrosity has to be heard to be believed.

Presumably, there's a lot of skill that goes into building and painting a violin which resembles a leg of fine Serrano Spanish ham, but the luthier who created this instrument is unable to answer one simple question. Why?
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